{"id":5903,"date":"2023-02-07T16:59:50","date_gmt":"2023-02-07T15:59:50","guid":{"rendered":"https:\/\/mttw.at\/?page_id=5903"},"modified":"2024-02-12T15:58:16","modified_gmt":"2024-02-12T14:58:16","slug":"mitra-mttw-2022","status":"publish","type":"page","link":"https:\/\/mttw.at\/en\/archiv\/mitra-mttw-2022\/","title":{"rendered":"MITRA | MTTW 2022"},"content":{"rendered":"
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MITRA | MTTW 2022<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Eva Reiter (AT), Jorge Le\u00f3n (BE) \/ Muziektheater Transparant & Ictus (BE)<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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MITRA<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The musical testimony of a tragic rebel<\/strong><\/h2>

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Austrian premiere<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"MITRA\" is a story of resistance and solidarity in which the truth is sought with the eye of the camera and found in sound through the singing voice. The melange of opera, documentary film and installation tells the fate of the Iranian psychoanalyst Mitra Kadivar, who was unjustly admitted to the psychiatric ward in 2012 after she set up a school for psychoanalysis in Tehran and turned her home into a drop-in centre for drug addicts. Director Jorge Le\u00f2n and the Ictus Ensembles hauntingly realise the emotionally intense composition by Austrian composer Eva Reiter, drawing the audience into the middle of the reality of a psychiatric institution and, together with the psychoanalyst falsely diagnosed as psychotic, out again. Thanks to the commitment of her students and the support of the well-known analyst Jacques Alain Miller, Mitra Kadivar was finally released.<\/p>

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Multifaceted and in all her fragility, Claron McFadden plays this female heroine in a production about the rebelliousness of being human, rebelling against oppression and powerlessness.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Concept and direction:<\/strong>\u00a0Jorge Le\u00f3n\u00a0<\/span>Composition:<\/strong>\u00a0Eva Reiter\u00a0<\/span>Composition of choral pieces:<\/strong>\u00a0George van Dam\u00a0<\/span>Musical direction:<\/strong>\u00a0Georges-Elie Octors\u00a0<\/span>Dramaturgy:<\/strong>\u00a0Isabelle Dumont\u00a0<\/span>Video:<\/strong>\u00a0Aliocha Van der Avoort\u00a0<\/span>Scenography<\/strong>:<\/strong>\u00a0Thibault Van Craenenbroeck\u00a0<\/span>Costumes:<\/strong>\u00a0Silvia Hasenclever\u00a0<\/span>With:<\/strong>\u00a0Simone Aughterlony (performance), Mitra Kadivar (voice), Claron McFadden (vocals), Jacques-Alain Miller (voice), Laurenz Sch\u00e4fer (performance)\u00a0<\/span>Image design:<\/strong>\u00a0Jorge Le\u00f3n, Thomas Schira, Aliocha Van der Avoort\u00a0<\/span>Light:<\/strong>\u00a0Peter Quasters\u00a0<\/span>Sound:<\/strong>\u00a0Alexandre Fostier\u00a0<\/span>Music (in the video):<\/strong>\u00a0Ictus<\/span>\u00a0Ensemble:<\/strong>\u00a0Gerrit Nulens (percussion), Eva Reiter (Paetzold recorder, bass violin), Michael Schmid (flute), George van Dam (violin)\u00a0<\/span>Choir (in the video):<\/strong>\u00a0Kooracademie De Munt\/La Monnaie Choir\u00a0<\/span>Choir direction:<\/strong>\u00a0Georges-Elie Octors\u00a0<\/span>Thanks to:\u00a0<\/strong>Paul Aron, Julie Chenot, Am\u00e9lie Derlon Cordina, Aur\u00e9lie Deloche, Julien Englebert, Bernard Foccroulle, Anne-Lise Gobin, Fabienne Moris, Jean Pierre Rehm\u00a0<\/span>Production:<\/strong>\u00a0Muziektheater Transparant and Ictus<\/span>\u00a0Co-production:<\/strong>\u00a0Kunstenfestivaldesarts, Les Halles de Schaerbeek, Th\u00e9\u00e2tre de Li\u00e8ge, De Munt\/La Monnaie, Present Perfect Brussels, GMEM Marseille, Actoral Marseille, Les films de Force Majeure Brussels, Ultima festival Oslo\u00a0<\/span>Supported by:<\/strong>\u00a0Federation Wallonie-Bruxelles, International Film Festival Marseille FID, Ultima Festival, Camargo Foundation, IRCAM, CNC DICR\u00e9AM, Thank you & Good Night Production, Interreg V Euregio Meuse Rhin & Wallonia, Tax Shelter of the Belgian Federal Government, Austrian Cultural Forum, Government of Flanders<\/span><\/p>

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