THE END of THE WORLD

CARMEN C. KRUSE, DIRECTOR
Carmen C. Kruse is an award-winning opera director and collaborator. As co-artistic director of the Vienna-based Civic Opera Creations, she is an active advocate for New Opera. Her work is is characterised by a profound, psychological exploration of broad social social issues and their impact on the individual, and is and is informed by first-hand accounts and community input. fed. Kruse creates immersive live experiences that change the relationship between the orchestra and the dramatic action, presenting present archaic worlds that inspire and empower. Kruse won the Baden-Baden directing competition and the CROSS Prize in Italy. Productions and scholarships have taken her to prestigious venues such as the Baden-Baden Easter Festival, the Ensemble Modern and the Lincoln Centre's Directors Lab in Europe, Australia and North America.

PATRICIA MARTÍNEZ, COMPOSER
Patricia Martínez was an Argentinian-Spanish composer, interdisciplinary artist and performer. artist and performer. Her creative and scholarly interests focused on the composition of new music and interdisciplinary interdisciplinary projects, especially contemporary music theatre, new opera, musical composition and performance, the meaningful use of technology (electroacoustic and video art), improvisation and choreography-composition. She studied in Buenos Aires, Quilmes, IRCAM and Stanford University and has won several prizes and awards. awards.

GIULIANA KIERSZ, LIBRETTIST
The Argentinean word artist, writer and playwright Giuliana Kiersz bases her work on a combination of personal and personal and regional research, with a strong interest in the relationship relationship to language, the specific local context, collective writing, the writing, the political dimension of the word and the broadening of social and social and political horizons. She completed her training as a dramaturg in Buenos Aires and was a fellow of the International Playwrights Programme of the Royal Court Theatre Programme for playwrights. El fin was awarded the Germán Rozenmacher Prize and produced by the Buenos Aires International Festival in 2019. In 2015, she won the third prize in the Instituto third prize in the Instituto Nacional del Teatro competition with Isabel I. published her work in 2016. Her work has since been performed in Argentina, Germany, France and Mexico.